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This person is mentioned in the diary a total of 50 times, but was not at home (N) 2 times, and was a venue (V) 15 times.
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11 April 1825 5 September 1825 8 October 1825
2 January 1827 30 April 1827 15 October 1827 21 December 1827
10 March 1828 27 May 1828 29 July 1828 1 October 1828
4 May 1829 2 July 1829 1 August 1829 12 August 1829 25 August 1829 6 September 1829
18 January 1830 16 February 1830 20 March 1830 1 May 1830 3 May 1830 15 December 1830
5 April 1831 2 December 1831 (V)
25 January 1832 28 January 1832 (V) 3 February 1832 9 February 1832 (V) 16 February 1832 (V) 16 February 1832 7 April 1832 1 May 1832 7 May 1832 15 May 1832 (V) 6 June 1832 (V) 11 July 1832 (V) 15 July 1832 16 July 1832 (V) 27 July 1832 (V) 23 August 1832 (NV) 3 September 1832 (V) 1 October 1832 (V) 11 October 1832 (V) 20 October 1832 (V) 1 November 1832 (NV) 7 November 1832
Gent normally appears in adv. meetings following exhibitions and theatre performances, although we have little specific information about him. In 1832, Godwin begins referring to an S Gent – Sophia Gent, who painted Godwin (Marshall p. 380) in watercolours in 1832. While there is no mention by Godwin of him 'sitting to' S Gent in the diary, the painting has been dated to 1832 by the owners of the Clairmont family collection. Godwin received a letter from Sophia Gent, expressing her happiness that Godwin and her husband had chanced to meet the previous evening, and hoping that Godwin would come to take Family fare at 4 o'clock Saturday next, and that he would come two hours earlier so that she could commence making his likeness. The entries in the diary suggest that Godwin met Gent by chance at the theatre on 24 January 1832; Sophia Gent writes to him the following morning; and Godwin calls on Gent (not mentioning Sophia) on 28 January.
Another lead is for a ‘City Conversazione, w. Gent, B Burlowe, Rothwel, Martin, Hart Davis 1832-02-16. From about the close of the 18th century the term conversazione chiefly applied to assemblies of an intellectual character, in connection with literature, art, or science. It was also used to describe a soirée given by a learned body or society of arts, at which the society's work is illustratedby the exhibition of specimens, experiments, and demonstrations. The London Institution in Moorfields Scientific and Literary conversazione commenced with great success (see also 'London Institution' under Museums (above).
Godwin notes Gent's death on 7 November 1832. This seems likely to be Thomas Gent esq, St Martin’s Lane, who is reported as having died on 6 November 1832 in The Times, 8 November 1832. His death is also recorded in the Morning Chronicle of 15 November and he is only given a line in both papers.
See Marshall; OED; and .This table lists the people this person is most frequently noted with in the diary.
Name | Number of Meetings |
---|---|
Gent, Sophia | 10 |
Barham, Richard Harris | 5 |
Taylor, John | 4 |
Skeffington, Sir Lumley St George | 3 |
Hill, (Thomas) | 3 |
Rothwell, Richard (Ireland) | 3 |
Daniel, William | 2 |
Knowles, James | 2 |
Morton, Thomas | 2 |
Stanhope, Lincoln (Edwin Robert) | 2 |
Wallace, | 2 |
Talfourd, Sir Thomas Noon (Talford) | 2 |
Martin, John | 1 |
Uwins, Thomas | 1 |
Poole, John | 1 |
Joseph, Samuel | 1 |
Reynolds, Richard | 1 |
Taylor, Richard | 1 |
Westall, Richard | 1 |
Lamb, Charles | 1 |
Holcroft, Thomas | 1 |
Bowring, Sir John | 1 |
Lamb, Mary Anne | 1 |
Este, Reverend Charles | 1 |
Pilcher, | 1 |
Northcote, James | 1 |
Booth, Isabel (née Baxter) | 1 |
Cooke, T P | 1 |
Smith, | 1 |
Landseer, John George | 1 |
Hofland, Thomas Christopher | 1 |
Prentis, Edward | 1 |
Coke, first earl of Leicester (1837) Thomas William | 1 |